Foster's: No worries motel

January 20, 2016, 6:49 am

≫ Next: Finnish National Gallery: Doing is the Finnish story

≪ Previous: Valio: A tribute to the one and only Lemmy Kilmister

Are you looking for affordable festival accommodation with clean sheets, proximity to a bar... and preferably views to the main stage? No worries! Fosters has you covered. In 2015
we teamed up with Airbnb to create a unique, highly visible pop-motel for anyone to book - with an Aussie bar downstairs, of course. We then sent it on a tour around Finland: to Provinssi,
Summer Up, Q Stock and Kemut Jyväskylä festivals, where it was seen and experienced live by about 150 000 party kangaroos, also ending up on international news and Trend hunter.

Advertising Agency: 358, Helsinki, Finland
Creative director / Art Director: Ale Lauraéus
Copywriters: Antti Tähtinen, Juuso Janhunen
Graphic designers: Isa Jokela-Gomez, Kukka-Maria Kiuru, Mark Nurmi
Producers: Elina Fredén, Peggy Petrell
Client team director: Veera Kivimäki
Photgrapher: Pekka Mustonen
3D: Troll VFX, Molla Karjaluoto
Event production: Malja
Marketing Manager: Meri Vainikka
Brand Manager: Tiina Happonen
Media Agency: Dagmar

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Finnish National Gallery: Doing is the Finnish story

March 13, 2016, 11:34 am

≫ Next: Donald Duck Magazine Finland: The Duck & The Boy

≪ Previous: Foster's: No worries motel

Advertising Agency: Havas Worldwide, Helsinki, Finland
Creative Director: Marko Vuorensola
Copywriters: Marko Vuorinen, Johanna Mannila
Art director: Jon Gustavson
Project director: Paul Earl
Project managers: Laura Lyyvuo, Muusa Salminen
Web developer: Mika Niemi
Production Company: Also Starring
Executive Producer: Petteri Lehtinen
Director: Kasimir Lehto
Actor: Martti Suosalo
DOP: Kjell Lagerroos
Stylist: Minttu Vesala
Editor: Kasimir Lehto
Production Designer: Jenni Juurinen
Make Up: Riikka Virtanen
Gaffer: Jani Pinomaa
Sound Design: Post Control, Sakari Salli
Music composer: Lasse Enersen
Post Production: Post Control, Also Starring / Jukka Kujala
Colorists: Post Control, Marko Terävä
Studio facilities, camera & lighting equipment: Angel Films / Ville Penttilä

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Donald Duck Magazine Finland: The Duck & The Boy

April 3, 2016, 8:25 am

≫ Next: Cancer Society of Finland: Voice of Addiction

≪ Previous: Finnish National Gallery: Doing is the Finnish story

No other nation loves Donald Duck as much as the Finns. Even today, in the world of Netflix, YouTube and mobile phones, almost 1 million Finns read the Donald Duck magazine every week.

Advertising Agency: Bob the Robot, Finland
Creative Director / Storywriter: Jannis Mavrostomos
Copywriter: Erol Tekkanat
Account Director: Anna Holtari
Producer: Heidi Nieminen
Commercial Director: Sinikka Alanne
Consumer Branding Manager: Minna Jaakola
Editor-in-chief: Aki Hyyppä
Managing Editor: Viia Viitanen
Production company: Pablo Films
Director: Juho Konstig
Producer: Henri Ollinkari
DOP: Tuomas Järvelä
Editor: Mikko Huupponen
Animation: Fake
Music: Totte Rautiainen

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Cancer Society of Finland: Voice of Addiction

April 29, 2016, 2:07 pm

≫ Next: Koskenkorva: The village that can't be named

≪ Previous: Donald Duck Magazine Finland: The Duck & The Boy

A music video was produced featuring a throat cancer survivor performing a shocking version of a pop hit adored by teens. The performance gives nicotine addiction a voice to remember, not only a sound but also a look that will stay in teens heads and affect their decision making when choosing whether to use tobacco products or not.

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Koskenkorva: The village that can't be named

May 3, 2016, 5:15 pm

≫ Next: Veikkaus: For the fortunate ones

≪ Previous: Cancer Society of Finland: Voice of Addiction

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Veikkaus: For the fortunate ones

June 6, 2016, 12:09 pm

≫ Next: Metsä Wood: Why not wood, 1

≪ Previous: Koskenkorva: The village that can't be named

Though much of gambling is shifting online, scratchcards remain undefeated classics. Since the gaming experience is most analog, intriguing habits and superstitious rituals can be found among the players. To attract good luck, there are many ways to choose the right cards and multiple ways to scratch them.

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Metsä Wood: Why not wood, 1

June 13, 2016, 9:11 am

≫ Next: Metsä Wood: Why not wood, 2

≪ Previous: Veikkaus: For the fortunate ones

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Metsä Wood: Why not wood, 2

June 13, 2016, 9:11 am

≫ Next: Metsä Wood: Why not wood, 3

≪ Previous: Metsä Wood: Why not wood, 1

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Metsä Wood: Why not wood, 3

June 13, 2016, 9:11 am

≫ Next: Metsä Wood: Why not wood, 4

≪ Previous: Metsä Wood: Why not wood, 2

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Metsä Wood: Why not wood, 4

June 13, 2016, 9:11 am

≫ Next: Metsä Wood: Why not wood, 5

≪ Previous: Metsä Wood: Why not wood, 3

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Metsä Wood: Why not wood, 5

June 13, 2016, 9:11 am

≫ Next: Metsä Wood: Why not wood, 6

≪ Previous: Metsä Wood: Why not wood, 4

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Metsä Wood: Why not wood, 6

June 13, 2016, 9:11 am

≫ Next: RAY: All in for Finland

≪ Previous: Metsä Wood: Why not wood, 5

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RAY: All in for Finland

June 16, 2016, 7:46 am

≫ Next: Finland's Children And Youth Foundation: Stop to listen

≪ Previous: Metsä Wood: Why not wood, 6

Finland's Slot Machine Association RAY, established in 1938, is a casino and slot-machine monopoly in Finland. All profits (over 420M in 2016) from RAY games go to the well-being of Finns; to the elderly, disabled, homeless, health organizations, veterans of war and so on. Humbled by the country's political history for one, Finns still today struggle to see the beauty in many of their truly extraordinary ways. One of these being the unique casino-gaming system. To open up the nations eyes once again to this particularity, we tapped on a common Finnish personality trait; 'It takes a foreigner to admire (or challenge) a Finnish peculiarity for a Finn to be truly proud of it'. This is an introduction to a series of films comparing two Casino-system ('gambling') extremities; that of Finland's and United States'.

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